stratigrafia

LOGIC PRO IPAD STARTER GUIDE

4/26/25

I had trouble understanding how to connect a guitar to Logic Pro on the iPad, and all the tutorials seemed too long. After some experimentation, I discovered that it isn’t hard. Here’s how.

Connect everything

Connect your audio interface to your iPad with a USB-C cable, and connect your audio interface to your monitors. I use a Focusrite Scarlet 2i2 audio interface and KRK Rokit 5 monitors; both are great. Use a ¼" instrument cable to connect your guitar to your audio interface, and adjust the input level so that it stays green (doesn’t clip). On the Scarlet, press the INST button next to the instrument cable so that it glows, and turn off the direct monitor buttons so that they are not glowing. As you play, adjust the overall volume of the speakers with the large knob below MONITOR. The Scarlet should look like this, with only the INST (red) and USB (green) lights glowing:

Front of Scarlett 2i2 audio interface

 

Basic Logic Pro instrument setup

Launch Logic Pro on the iPad, and tap the + button in the upper right to create a new project. Tap the Tracks tile that appears. This will bring up a panel where you can select the type of track you want to create.

Creating a new track

 

On the Audio tile, tap the ... button in the lower right, and select the input from the audio interface to the right of Channel. It should match the port you’ve plugged your guitar into.

Setting the input of a new track

 

Tap Create, which will return you to the main Logic Pro interface. You should see the Audio 1 track you created.

The main interface of Logic Pro on the iPad

 

Tap the I button, turning it orange. Strum your guitar; you should hear it in the speakers connected to your audio interface. This is a dry signal without any effects or processing.

Hearing the guitar through Logic Pro with the I button

 

The M button is for muting that track; tapping it makes it glow light blue. The S button is for soloing that track (that is, muting all the other tracks); tapping it turns it yellow. The R button is for recording, and tapping it makes the button flash red. As you play, you can see the level to the right of the I button; you can adjust the level with the slider.

Tap the blue button with vertical bars just to the right of the input slider. It will bring up a window with some options, including renaming the track, duplicating it, and deleting it. I’ve renamed mine Acoustic guitar. Renaming is useful if you add other tracks.

Seeing the options for a track, such as renaming it or deleting it

 

Double-tap the blue button to see the settings for the track, displayed at the bottom of the window.

Seeing the settings of a track, where you can adjust the Compressor or EQ

 

There isn’t much to this track, just a compressor and EQ. You can adjust the dials by touching and dragging upward (to increase) or downward (to decrease). Double-trapping the Channel EQ will give you various points to increase or decrease particular frequency ranges. Double-tapping either panel will gives more options; use the back arrow in the upper right of that window to get to the original view. You can close all these settings by double-tapping the same blue button you used to show these settings.

Applying built-in audio patches

You can apply audio patches to substantially change the sound. In the panel on the left, the Audio Patches are displayed. At the top, tap on Guitar (a purple button), then tap on other modifiers like Amp, Reverb, Chorus, etc. to narrow the list of choices. Tap on a patch to select it, then tap on the gray arrow to its left to hear a sample. When you find a sound you like, tap and drag the patch onto your track (ours was Audio 1, but I renamed it Acoustic Guitar); when you see the green plus button, let go to put the patch onto your track. Strum your guitar and can hear the new sound.

Dragging a patch to a track

 

When you drag a patch, notice that the blue button with the vertical bars (the one to the right of the track volume slider) now looks like a blue amp. Double-tap it to bring up the settings, which you can adjust by tapping or dragging the controls.

Displaying the settings for an audio patch

 

Creating your own patches

Instead of using a built-in Audio Patch, you can design your own. First, we will remove everything we’ve added to our track. At the far right in the track settings area, tap the ... button (orange arrow), then tap Remove All Effect Plugins. This will give you a clean slate. Next, tap the plus sign over Audio FX (yellow arrow). From here, you can select an amp by tapping Amp Designer, picking a model, and selecting your desired amp.

Removing existing patches

 

Tap the plus sign over Audio FX to add other effects like Reverb, Delay, Chorus, etc.

Custom audio patch

 

I won’t cover it here, but you can also add tracks for other instruments, including a drummer, etc.

Pete Johns has an excellent half-hour YouTube video on Logic Pro for the iPad; I highly recommend it!

 

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